The camera is the slave to the actor.

As an artist, I feel that we must try many things - but above all we must dare to fail.

There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.

I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.

An artist can accomplish anything provided he doesn't accept facts or defeat for more than a few minutes.

Filmmaking is exploring. Why would I want to make a film about something I already understand?

The greatest location in the world is the human face.