To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.

My God, the suburbs! They encircled the city's boundaries like enemy territory and we thought of them as a loss of privacy, a cesspool of conformity and a life of indescribable dreariness in some split-level village where the place name appeared in the New York Times only when some bored housewife blew off her head with a shotgun.

I've been homesick for countries I've never been, and longed to be where I couldn't be.

Fiction is experimentation; when it ceases to be that, it ceases to be fiction.

Literature has been the salvation of the damned, literature has inspired and guided lovers, routed despair and can perhaps in this case save the world.

When I remember my family, I always remember their backs. They were always indignantly leaving places.

At my back I hear the word-"homosexual"-and it seems to split my world in two.... It is ignorance, our ignorance of one another, that creates this terrifying erotic chaos. Information, a crumb of information, seems to light the world.