To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.

Children drown, beautiful women are mangled in automobile accidents, cruise ships founder, and men die lingering deaths in mines and submarines, but you will find none of this in my accounts.

Fiction is art and art is the triumph over chaos (no less) and we can accomplish this only by the most vigilant exercise of choice, but in a world that changes more swiftly that we can perceive there is always the danger that our powers of selection will be mistaken and that the vision we serve will come to nothing.

There isn't a king or a merchant prince in the whole world that I envy, for I always knew I was born to be a child of destiny and that I was never meant to wring my living from detestable, low, degrading, mean and ordinary kinds of business.

Admite the world. Relish the love of a gentle woman. Trust in the lord.

I believe that writing is an account of the powers of extrication.

The novel remains for me one of the few forms where we can record man's complexity and the strength and decency of his longings.