For lovers, touch is metamorphosis. All the parts of their bodies seem to change, and they seem to become something different and better.

My God, the suburbs! They encircled the city's boundaries like enemy territory and we thought of them as a loss of privacy, a cesspool of conformity and a life of indescribable dreariness in some split-level village where the place name appeared in the New York Times only when some bored housewife blew off her head with a shotgun.

The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.

Fiction is art and art is the triumph over chaos (no less) and we can accomplish this only by the most vigilant exercise of choice, but in a world that changes more swiftly that we can perceive there is always the danger that our powers of selection will be mistaken and that the vision we serve will come to nothing.

Homesickness is . . . absolutely nothing. Fifty percent of the people in the world are homesick all the time. . . . You don't really long for another country. You long for something in yourself that you don't have, or haven't been able to find.

The deep joy we take in the company of people with whom we have just recently fallen in love is undisguisable.

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.