I've been called a funny person, for a long time. I don't know that I know anything about comedic acting. I'm not a good improver, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise.

It'd be nice if Asian actors could be perceived as profitable, which is the bottom line. We're perceived as not mattering much fiscally.

Sometimes you just get giggles leprosy and it can't be helped. I find that there's a direct correlation between fatigue and breaking.

I try to play the stiff, as much as I can, and play it dry, which is sometimes hard for me. My problem with comedy is to want to clown it up, but she's the funny one. Those are her jokes, not mine. For me, it's a lot of not doing anything. I just don't want to muck it up.

I think there are contractual problems with me doing more than a couple, but I would love to go back. I just have a lot of fondness for that show, and for the people. When you get something off the ground, it's fantastic and you feel really close to that group of people. Wherever Selfie goes, the fact that we birthed it, we'll always be tied together that way.

With acting, you are a small part of the creative process, and sometimes it is hard to feel like you are making an impact.

It's really weird to be in more than one franchise because an actor's life is so nomadic, and so it's a real privilege to get back together with people.