Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.

The only thing I say I consciously do is I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.

I feel just as creative focusing on just the sounds and getting the photographic representation of where the sounds should be. But it's all the same bag of bones for me. It's hard for me to compartmentalize production and engineering, and that's why I can't produce things unless I'm also recording. It's very tactile. I need my hands in the dirt.

Before I started making music I felt like I couldn't affect anything in the world.

I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.

Roger Waters isn't a "great" singer but he's always able to communicate this intense desperation. At times he's not even singing, but shouting. There's no melody and his shouting isn't even in key with the song.

When somebody brings me a record to mix, usually they feel like they can only get it so far with who they were working with or with themselves, and they just want somebody with fresh ears to take it to the next level. I just try to have a candid, open conversation with them about each song before we start working on it.