Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.

You just try to get the best jobs that you can get. Sometimes I produce my own movies, so that's your own sort of vision. That helps things. I don't know what it is. Probably just circumstance. I've definitely been aware of the fact that I want to do different things.

The Sugar Frosted Nutsack is dizzyingly brilliant. Mark Leyner is a hyperkinetic shaman, who flies the banner of rum and candy and writes like a one-eyed feral bandit. His new book is supremely original, delirious and synapse-shattering.

I'm not making any plans. I'm just going to let the universe surprise me.

I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.

Satire is meant to have teeth; satire is meant to be dangerous. But it also happens to be fun because subversion and telling the right kind of people to go to hell is supposed to feel good.

I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.