I remember the '80s being about the Cold War and Reagan and the homeless problem and AIDS. To me, it was kind of a dark, depressing time.

I was a teen star. That's disgusting enough.

With acting, you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war, where you need an exit strategy. When you're acting, you should get all the way into trouble with no exit strategy, and have the cameras rolling.

Well, acting itself is a form of rebellion, always. Getting up there in front of people, telling stories - you're kind of going against the grain to begin with, wanting to do that, don't you think? Why else would you do it? Except maybe as kind of a way to affirm your very existence.

Death is a billion-dollar business. They can't even pass a law where it takes seven days to get a gun. Why don't you have to go through the same kind of screening you do to get a driver's license? It's totally insane.

I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.

I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.