Maybe the absence of signs is a sign.

The situation in the film is like me going out to Venice Beach and talking to a homeless guy on the boardwalk, and 13 years later he's the president.

I was only in one of the John Hughes films, and I never saw the other ones. I didn't understand them. I kept hearing a really hip 40-year-old person talking in teenagers' mouths.

Of course, I think it is legitimate for the Commander-in-Chief to be concerned for the safety of his soldiers.

It's a very frightening time when something as basic as due process is seen as somehow radical.

I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.

If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.