If you're looking at things with the right set of eyes, people are endlessly fascinating. And then, of course, if you look at it the wrong way, then the whole world is horrible and tedious and boring. That's the battle, really--to keep looking at the world in the right way.

If I'm in something that I think is kinda good, it stays with me like a fever dream for a long time afterwards. I don't recall the finished product so much as the feeling of making it.

It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.

The Sugar Frosted Nutsack is dizzyingly brilliant. Mark Leyner is a hyperkinetic shaman, who flies the banner of rum and candy and writes like a one-eyed feral bandit. His new book is supremely original, delirious and synapse-shattering.

I don't walk around talking about my life and spouting my philosophy to people I don't know. I mean, if I get to know them, I'll talk for hours. I guess I like a lower-key scene.

My point was that it's hard to make good films, but I'm not under any illusion that you do all the time.

I like the George Romero films, which were really great, social satire movies; really twisted.