I look for the kind of text that doesn't look like the writer I'm considering. Plutarch is a great example.

I look for the kind of text that doesn't look like the writer I'm considering. Plutarch is a great example.

What I didn't realize when I was in school and what I suspect a lot of young writers today don't get either is that you have to create the world that you want to exist in as an artist.

Sometimes the essay is where we end up when everything that we know must change.

Of course it's possible for political essays to be artful. I just want to call into question the dominance of content over form in the history of the essay. I want us to recognize that there's art involved in making this stuff, because we still don't approach the constructed nature of the essay with the same appreciation that we do poetry or fiction.

When I'm teaching, I'm not really doing my job if the student who's always comfortable doing wacko stuff all over the page keeps getting gold stars from me for doing wacko stuff all over the page. A riskier assignment for that student, who might be used to hiding behind a lot of formal armor, would be to try to do something straightforward, traditionally, in which they are much more directly laid bare for the reader.

I get emails from students at programs all over the country who want to transfer to Iowa, and in most cases their frustrations have absolutely nothing to do with the programs they're attending. They have to do with the growing pains that they're undergoing as writers and with the growing pains that our own genre is constantly undergoing.