People don't tend to notice, but in the past 10 years especially there's been a lot of growth in how I write songs and what goes into them. You can listen to Mountain Goats from 1991 to 2007 and never hear a seventh chord. In 2007 or 2008, I started working on the piano to grow as a songwriter. I started throwing major sevens in and sixes and more interesting stuff.

Everybody experiences reality in a way that's only true for them.

Men tend to dominate whatever public discourse they participate in, and another big part of feminism is to let women have their say. Men's voices can be welcome at the table, but there is a time and a place, and maybe it's now, for men to make a little less noise, make their needs less known, and listen to the needs of others.

I don't like to say, "Oh, I don't like this kind of music." I like to listen to it and try to see what people who like it get out of it.

There are stylists I really love. I'm a huge Joan Didion fan - if I wrote something that she might like, then I'd feel very proud. I want the action to move as quickly as it does in A Book of Common Prayer, where one thing bonks right into another very quickly.

At 23, you can completely, literally reinvent yourself if you want to.

I worked the AV counter at the Roland Heights public library in the '80s. My best story from the library was the time a couple asked for a recommendation, and I recommended Raising Arizona and they absolutely hated it. They came back hungry for blood. I was on my lunch break and my boss came out and said, "Hey kid, you need to come talk to these people. They totally hate Arizona." And he said, "Arizona's a dog; nobody gets that movie."