I don't really have any position to complain about my job. Yeah, every job has its moments like, "Ah, you know, it's Wednesday." But I'm blessed. I love my work.

There is something fierce and starved about first ideas.

Our [former] governor [Pat McCrory] was supposed to be a moderate, but he found himself beholden to people who have much more draconian ideas. I think he assumed this stuff flew under the radar.

I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.

I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much. Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority. I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.

May we all emerge from winter with our strength renewed and any unwanted pieces left under the ice.

The studio's a collaborative environment. I just try to let people bring their own ideas to the songs and see what happens.