I am a person of high energy. That, and I sit down and I write when I get an idea - I put other things aside.

I think The Sunset Tree is really the album on which I really learned to trust other musicians, which is so important.

[Dennis] Etchison would write stories that were just punch lines at the end. You wouldn't realize something horrific was happening until the last paragraph.

You should avoid seeing too much of yourself anywhere: in the outside world, in others, in the imagined worlds that give you shelter.

People always talk about good time rock and roll, Chuck Berry or whatever, like this liberating force for feeling good. But what I need in my life is to be liberated into feeling bad. Not sad. I have plenty of sad. What I need is a place where I can spray anger in sparks like a gnarled piece of electrical cable. Just be mad at stuff and soak in the helplessness.

What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.

I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.