When I was kid, they always used to tell me to keep notebooks. I look at my shelves now and it's just nothing but notebooks. And if I haven't gotten an idea but I have time to work, I'll pull one out and I bet there will be five or six sentences that will kick me off.

What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.

You learn to present dark things without including their ability to harm, treasuring them for what they are.

You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.

I think The Sunset Tree is really the album on which I really learned to trust other musicians, which is so important.

People don't tend to notice, but in the past 10 years especially there's been a lot of growth in how I write songs and what goes into them. You can listen to Mountain Goats from 1991 to 2007 and never hear a seventh chord. In 2007 or 2008, I started working on the piano to grow as a songwriter. I started throwing major sevens in and sixes and more interesting stuff.

I'll keep making records until I don't have more ideas for records.