Good things never last, bad things never die.

I don't celebrate milestones and I don't do anniversary editions. It's not my style to reflect on accomplishments.

The studio's a collaborative environment. I just try to let people bring their own ideas to the songs and see what happens.

What's funny is that people think, "Well there has to be something more than wrestling, because wrestling has such an absurd quality to it." But if you tell a love story, people don't ask what else is in there. They say, "Oh, it's just a love story." All stories have many levels, but these ones show their hand and say, "You might want to look a little deeper."

[Robert] Aikman would write horror stories that weren't gore, they weren't slashers, and they weren't monster stories either. He called them ghost stories. The main thing about them was the vibe. It was really disquieting. He wanted to sketch the scene so that you could see it and know the characters and get a feel for the motion - and then ask yourself why and not get a final answer. Leave something that itches. I loved that!

I just started writing stuff to kill time on summer evenings. This is why I'm always telling people who ask me what they need to do to succeed to give up, do something else.

I think taking too long to work on a record you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour and I write and I write. And I send them to the guys, and we start planning our studio ventures.