I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.

Men tend to dominate whatever public discourse they participate in, and another big part of feminism is to let women have their say. Men's voices can be welcome at the table, but there is a time and a place, and maybe it's now, for men to make a little less noise, make their needs less known, and listen to the needs of others.

There are so many ways to respond to music besides feeling like someone's communicating with you. It gives me a charge.

When I became conscious of being a person, when I was very small, I knew that I was from Indiana, but I had never seen Indiana. I was born there, but we moved when I was, like, a year old. I always had a sense of a place that was far away from where I was. I would research it and find out about it and I remember on Christmas morning I used to always call Indiana to find out what the weather was like; to see if it was snowing or not.

For me, moving is always a big opportunity. Its just a enough of a shift in outlook that every time I move, it seems to open something up.

It's easy to follow national politics and weigh in on social media, but if I'm tweeting stuff about Chatham County, no one cares.

Kayfabe is kind of a code. To break kayfabe is to let people know that the punch was not real and that the match was scripted.