I don't play just one-two-three-four. I try to play melodies.

If you're playing live, I like to think of the ensemble, whether it's the duet or a forty piece orchestra, as one person. And the entire audience, whether it's twelve people or twelve thousand at Madison Square Garden, is the other person. The two of you are going to dance together tonight.

I've been very blessed to make a living in stuff I love and am totally passionate about, music and writing. So I'm eager to see what the day will bring, how I will feed that passion.

The more the ensemble, the duet or the forty piece orchestra, plays as one person, the more it makes people dance, because you're back in the womb. You feel mom's heartbeat. It makes you move. It reminds you of that warm, groovy space you were in.

We have our own little heartbeat, too. We already have what I would call polyrhythms going on.

Going first is courageous. I'm just talking on a spirit level now.

Fortunately, an extremely sexy, pixie-voiced blond named Ronnie Harran, who booked the Whisky, saw us...She had an ear for talent...the Whisky was finally a gig we could be proud of.