It was the ponderous battering ram of his novels that opened the way through the genteel reticences of American nineteenth-century fiction. . . Without [Theodore] Dreiser's treading out a path for naturalism none of us would have had a chance to publish.

I do a lot of revising. Certain chapters six or seven times. Occasionally you can hit it right the first time. More often, you don't.

What's the use, there never was a woman living who could understand political ideas.

I never understood exactly why people get engaged--The only time I ever did the most disastrous things happened--but I feel that there's a great deal to be said for immediate matrimony always. If I once got started I'd probably have to become a mormon to cover my confusion. What I mean is that if he and she are crazy about each other it is sheer tempting God to stay apart, come what may. And if people arent crazy about each other being engaged wont help them.

Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.

Time has an undertaking establishment on every block and drives his coffin nails faster than the steam riveters rivet or the stenographers type or the tickers tick out fours and eights and dollar signs and ciphers.

Love is cheap. You can buy it anywhere. Lives are cheap. It's money that's dear. You have to work days and sit up nights thinking how to make money.