Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men's reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.

Shakespeare wouldn't have been any good if he'd stayed in Stratford. He had to go to London to be bathed in the full current of the Renaissance.

I dont think there is anything on earth more wonderful than those wistful incomplete friendships one makes now and then in an hour's talk. You never see the people again, but the lingering sense of their presence in the world is like the glow of an unseen city at night--makes you feel the teemingness of it all.

A novel is a commodity that fulfills a certain need; people need to buy daydreams like they need to buy ice cream or aspirin or gin. They even need to buy a pinch of intellectual catnip now and then to liven up their thoughts.

A curious thing about atrocity stories is that they mirror, instead of the events they purport to describe, the extent of the hatred of the people that tell them. Still, you can't listen unmoved to tales of misery and murder.

Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.

The people of this country are too tolerant. There's no other country in the world where they'd allow it... After all we built up this country and then we allow a lot of foreigners, the scum of Europe, the offscourings of Polish ghettos to come and run it for us.