Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men's reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.

Women hock their jewels and their husbands' insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.

People do not choose a career; the career envelopes them.

I do a lot of revising. Certain chapters six or seven times. Occasionally you can hit it right the first time. More often, you don't.

It's easy to forget how central the French people are in everything we mean when we say Europe.

Why, lies are like a sticky juice overspreading the world, a living, growing flypaper to catch and gum the wings of every human soul. . . And the little helpless buzzings of honest, liberal, kindly people, aren't they like the thin little noise flies make when they're caught?

Individuality is freedom lived.