If I'm in the business of making artwork that is designed on some level to sell a product, then I have to be very comfortable with the people I'm working with and I'd like to be proud of the end result regardless of its sale-ability.

If I'm in the business of making artwork that is designed on some level to sell a product, then I have to be very comfortable with the people I'm working with and I'd like to be proud of the end result regardless of its sale-ability.

Punk rock and metal has always been a home to me, it's where I cut my teeth; and those are the friends that I have, and the bands that I love.

It can be difficult to mediate a compromise between what I have in my head and what the musician has in mind, which is often 180° different when it comes to the finished product, so it requires that element of trust from somewhere. The point I make to them is "You've seen what I do, so just trust me and we will come up with something exciting."

When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.

I recognize that no matter how old I get, how many records I've done, or what the public perception of me is, there are still exciting things that I haven't done.

I feel like I've gotten to the point where when I get tired of making art I can make a smooth transition into making music and vice versa. There is always something to do.