I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.

I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.

The important thing isn't that your technically great, I think it's the power of your expression.

Not everybody is going to love what you do, but you have to be yourself, that's what's most important. Bring it as hard as you can.

It's important for me to have different tiers of value for the art. Some of the silk-screens are really affordable, but I do have some high-end silk-screens that are several color layers and a little more expensive, and then I have the paintings that can get way up there.

Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.

I take myself seriously and want my image to me more than just something aesthetically suited towards selling records.