I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.

Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.

I really try towork with an artist who is trying to create a long legacy of quality rather than trying to jump aboard a trend.

I tend to over extend myself without really thinking throughthe realities of completing so many projects in a year, which generally means I'm going to be a little bit behind. I suppose that's the nature of the beast.

It's my intention to make something stand outside the realm of album art, but it also feels comfortable to me to be in it. It's tricky and definitely a requires striking a delicate balance.

Not everybody is going to love what you do, but you have to be yourself, that's what's most important. Bring it as hard as you can.

It's hard for me to say what would happen if I didn't go to art school. It wasn't that I learned any specific painting or drafting skills at school that I felt I couldn't have taught myself. However there is something quintessentially unique and important that you gain by immersing yourself in ascholastic and creative universe, and being held to certain academic standards while being surrounded by artists of varying disciplines.