I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.
John Edgar WidemanI really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
John Edgar WidemanBooks are an attempt to control something that's uncontrollable. That's one of the beauties of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy the inner lives of all the people who experienced it. There are still horrible things that go on because of the myth of race, but we don't have to succumb totally. If I had only a negative side of things to present, I think I would have much less of a drive to do it. Because what would be the point?
John Edgar WidemanI don't tell everything. I want the reader to have the feeling that maybe they know the whole truth, but they don't.
John Edgar WidemanI don't like the way question marks look. They're really ugly. They look like blots. At some other point in my life, I might have disliked them because I never knew how to properly apply them. Also commas, and whether they were outside the quote or inside the quote - that all seemed like an unnecessary pain in the ass.
John Edgar WidemanWhen you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.
John Edgar Wideman