Everything is up for grabs, everything is relative. Except nothing is if you are serious about it because the moment you become serious about answering a question you have a stake in it. Relatively goes out of the window, in one sense because you're putting your a** out there - you are depending on the answer, you need the answer.

Things seem to fall apart inevitably.

I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.

That split is inside all Americans. There are contradictions inside all of us about color and race. We've learned to cover them up and live with them and pretend that deep cleavage is not there. We all bear that illness.

Everything is up for grabs, everything is relative. Except nothing is if you are serious about it because the moment you become serious about answering a question you have a stake in it. Relatively goes out of the window, in one sense because you're putting your a** out there - you are depending on the answer, you need the answer.

I don't tell everything. I want the reader to have the feeling that maybe they know the whole truth, but they don't.

Hell, I'm going to play pro basketball. I'm going to maybe be famous. I'm going to write books.