We talked, she and I. She asked about my work and it was a pretense, she was not interested in my work. And when I answered, it was a pretense. I was not interested in my work either. There was only one thing that interested us, and she knew it. She had made it plain by her coming.
John FanteLos Angeles, give me some of you! Los Angeles come to me the way I came to you, my feet over your streets, you pretty town I loved you so much, you sad flower in the sand, you pretty town!
John FanteListen closely. Thereโs a remote possibility that you might learn something: First, I donโt give a damn if my work is commercial or notโฆIโm the writer. If what I write is good, then people will read it. Thatโs why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you donโt believe in yourself.
John Fante(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)
John FanteOne night I was sitting on the bed in my hotel room on Buker Hill, down in the middle of Los Angeles. It was an important night in my life, because I had to make a decision about the hotel. Either I paid up or I got out: that was what the note said, the note the landlady had put under my door. A great problem, deserving acute attention. I solved it by turning out the lights and going to bed.
John Fante