Content is a word unknown to life; it is also a word unknown to man.

The supposed great misery of our century is the lack of time; our sense of that, not a disinterested love of science, and certainly not wisdom, is why we devote such a huge proportion of the ingenuity and income of our societies to finding faster ways of doing things - as if the final aim of mankind was to grow closer not to a perfect humanity, but to a perfect lightning-flash.

There are many reasons why novelists write, but they all have one thing in common - a need to create an alternative world.

An easterly is the most disagreeable wind in Lyme Bay — Lyme Bay being that largest bite from the underside of England's outstretched southwestern leg — and a person of curiosity could at once have deduced several strong probabilities about the pair who began to walk down the quay at Lyme Regis, the small but ancient eponym of the inbite, one incisively sharp and blustery morning in the late March of 1867.

On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.

Time is not a road - it is a room.

How can one build a better self unless on the ruins of the old?