I'm also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O'Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.

What I do on my solo stuff is just the most natural version of who I am, and I’m trying to represent the feelings that I’m feeling as purely as possible

I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.

I don't have an extensive background in theory, but the amount of it that I've learned, I've applied, so I have a vocabulary of melodic and rhythmic relationships. And that's all theory is - it's symbols to help you identify those relationships.

I consider my music to be Progressive Synth Pop, which says nothing about what it sounds like, but does describe my basic approach.

What I have to say to an inhabitant of the Earth in one hundred years is similar to what I have to say to the present inhabitants of Earth. To be creative.

We’re really lucky to live in a planet that has so much music. We could be living in some bland planet that had no music, no movies, no books, just a bunch of people going around having jobs and things like that. To me that would be a really miserable place, you know, to me music is what makes this world a really fun place to be, you know?