Everything's very perfectly balanced; for all the horrible things in the world there's lots of good things.

You should always think good things and always look for the good in the world. If you look for the bad in the world, you will always find something bad. But if you look for the good you will find it, it is there

I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.

All I know is that the six months when I recorded this music was the most productive time of my life, and I'll always remember it as the first time in my life that I ever felt like I was one with my dreams.

What really helps me is being able to record my albums at home - I have more fun experimenting that way, as opposed to working with an engineer, in which case I have to deal with the humiliation of doing take after take, and that can get frustrating.

My music, my whole approach to the synthesizer has completely changed now.

Enclosure, upon its completion, was the record which represented the achievement of all the musical goals I had been aiming at for the previous 5 years. It was recorded simultaneously with Black Knights' Medieval Chamber, and as different as the two albums appear to be, they represent one investigative creative thought process. What I learned from one fed directly into the other. Enclosure is presently my last word on the musical statement which began with PBX.