I think one should express opinions and these books are relatively opinionated. They would be a bit dry without it.

I have a nice little idea from some people I met there who are now in their seventies, and I want to tell their story about the revolution through the eyes of musicians, in fact. The '59 Revolution. And what has happened to them since. It's very much a Cuban story. They haven't fared too well.

I don't want to sell other people trips! I want to be there!

There is a very big difference between American and British travel journalism, and that's this whole business of the assisted or freebie trip. In Britain we are unashamed about any travel company paying for you to go and then writing about it. That's the only way we can do it. But I have tried the same in the States, and I can't write for any sizeable American newspaper because they tell you to do it on this basis.

There are 60 million of us [britains] crammed into an area the size of a state. So you don't have that feeling of remoteness at all, ever. And that's reflected in the way our media works, and so on.

I am certainly very pro-Europe.

Diplomacy was what I wanted to do. From really quite an early age and I think I had a false impression that diplomacy equals travel.