I have a nice little idea from some people I met there who are now in their seventies, and I want to tell their story about the revolution through the eyes of musicians, in fact. The '59 Revolution. And what has happened to them since. It's very much a Cuban story. They haven't fared too well.

I slightly feel, having written Paraguay and Newfoundland - and both of them have developed eccentricities through isolation - I am quite relieved to be back in France and Germany, and I want people to enjoy these books for the writing and not because they feel they can laugh - some will laugh - at these eccentric places, that's not what I intend.

The United Nations was the thing I wanted to work for. Like the United Nations Commission for Refugees is what I was interested in. And then people said if you do that you'll hit glass ceilings all the time, because you are not Ghanian or Nigerian and that's the way to progress though a multinational organization like that. In any event, they said do five years' legal experience and come back. And after five years I decided to stay where I was. So I am really an accidental lawyer.

I don't want to sell other people trips! I want to be there!

My parents don't think about Europe at all. The Continent is somewhere else. And they call it the Continent - to reflect, they are no real part of it.

Lawrence Millman is a favorite writer of mine. He did a travels on the trail of the Vikings.

I have to be careful not to visit one place right after the other and write one book after the other. Because I fear writing the same book all over again. That's why I am taking a break and doing something different this time.