Read, read, read, read, read. Read everything. You can’t work unless you know the world, and outside of living in the world the best way to learn about the world is to read about it.

I'm really getting to appreciate traditional jazz now - the New Orleans stuff - a lot more than I did before.

If I could put my finger on it, I'd bottle it and sell it. I came down here originally in 1972 with some drunken fraternity guys and had never seen anything like it - the climate, the smells. It's the cradle of music; it just flipped me. Someone suggested that there's an incomplete part of our chromosomes that gets repaired or found when we hit New Orleans. Some of us just belong here.

If I don't trust [in] it, then it's worthless.

Basically, though, I'm just lucky to love what I do for a living.

[In my pre-success years] there was a constant hunger, measuring myself against other actors, and there was sometimes fear. But, there was always a need for self-improvement, to help with the struggle to make myself a better actor.

I'd bowled a lot, but I never really had proper lessons.