We have built our State on the freedom of personal adventure.

The oblique paradox of propaganda is that the lie in the throat becomes, by repetition, the truth in the heart.

We believe that the cinema's capacity for getting around, for observing and selecting from life itself can be exploited in a new and vital art form

And, consequently, the art of propaganda or public information becomes one of the most powerful forms of directive statesmanship.

When quick results are imperative, the manipulation of the masses through symbols may be the only quick way of having a critical thing done.

We have built our State on the freedom of personal adventure.

I look on cinema as a pulpit, and use it as a propagandist.