The cultivation of sensibility on purely personal lines may, in fact, be the very worst training for a world where only the corporate and the cooperative will matter.

And, consequently, the art of propaganda or public information becomes one of the most powerful forms of directive statesmanship.

I look on cinema as a pulpit, and use it as a propagandist.

We believe that the materials and the stories taken from the raw can be finer (more real in the philosophic sense) than the acted article.

Beware the ends of the earth and the exotic: the drama is on your doorstep wherever the slums; are, wherever there is malnutrition, wherever there is exploitation and cruelty.

We have built our State on the freedom of personal adventure.

Such manifestations I account as representing the creative leadership of the new forces of thought and appreciation which attend changes in technological pattern and therefore of the pattern of human relationships in society.