Show business offers more solid promises than Catholicism.

I think of the New York City Ballet as the Yankees without George Steinbrenner.

You can't be a sort of pioneer.

I don't think about taking a risk. I think about how far can I go. How can I make myself. What are the risks I must create.

There's no American playwright after 1945 who wasn't profoundly affected - who didn't have their DNA changed by Tennessee Williams.

I think that some of these plays are lost in this new horror called development, which is a place for dramaturgs to say "let me tell you what your play means," and the life gets sucked out of a play.

I'm sure there are some good dramaturgs but I've never worked with one.