I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.

Cutter's Way was a real test of my stupidity. Every day, it was like, who did I think I was? But people put up with me. But I considered myself an alcoholic, so I had the inside track on how an alcoholic would do this or that and so on and so forth. That became pretty annoying, I'm sure.

That show, The Sopranos put HBO on the map. So there I was - and then there I wasn't. Too bad. The same thing happened to me on Prison Break: I got the role of the governor on that, and then a handful of episodes later, I hanged myself.

Paul Schrader, he's a... son of a gun. He's a very feisty, very straightforward guy. He's your auteur director. He sent me to a fat farm down in Palm Springs, I think it was, and got mad because he said, "You're just getting massages and backrubs!" He got the bill, he looked at the itemization, and he said, "You're not doing anything to lose weight! I could've had William Hurt for this part!" And I said, "Well, you're stuck with me, so..." He was funny, though.

I remember one afternoon when we were out on a golf course somewhere, and Lauren Bacall, James Garner, and Jack Lemmon were sitting there in deck chairs when I went off to do another scene. And I said something like, "Hey, where have you guys been?" And they said, "Oh, we were down at the clubhouse. We saw your scene!" And Jack Lemmon looked at James Garner, and James Garner looked back at me, and then they both looked back at me and said in unison, "You bet your ass it is!" So I've been up there with the greats. I've had my fleeting moments with theatrical genius.

I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?

Rip Torn thought I was being a wise guy, and one afternoon he got pretty angry with me after telling me to do something and he thought I was pretending like I didn't know what he meant.But he was very frustrated. He was very frustrated as a director in trying to get his little theater group going. It was called The Sanctuary Theater Workshop, I think, and he wanted to do these classical plays by people like August Strindberg, and he was fighting hard to get his show up and be good and be professional.