I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.

Denzel Washington was so great at The Great Debaters, so focused and talented. That was just an honor to be cast in that, for the most part. I was fat, and I guess the casting director sold him on me. He actually said to me during the scene, "You know, I've always found that less is more," which is an expression that you've heard a million times, but it was a nice way of telling me I was overdoing it.

There were a lot of things in it that were important at the time to me. Cutter's Way movie was very relevant. And I wanted Cutter to succeed as a vet, as a guy coming back from 'Nam, because there were so many guys like that. And there were so many other movies at the time, like Apocalypse Now, Coming Home, and The Deer Hunter, that it was really important that the movie be believable, that I come across a pissed-off vet who'd been there and comes home angry.

I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?

Rip Torn thought I was being a wise guy, and one afternoon he got pretty angry with me after telling me to do something and he thought I was pretending like I didn't know what he meant.But he was very frustrated. He was very frustrated as a director in trying to get his little theater group going. It was called The Sanctuary Theater Workshop, I think, and he wanted to do these classical plays by people like August Strindberg, and he was fighting hard to get his show up and be good and be professional.

After The Sopranos, my mother said, "Couldn't there be some raft floating under the bridge when you jumped? Or couldn't you have a twin brother?" I said, "Yeah, if they'd wanted me that bad. But they don't."

Griffin Dunne and I were both terrified that Martin Scorsese didn't think we were very good - and if he didn't think we were very good, that was it. That was the end of the line. If Martin Scorsese thinks you stink, you stink.