I'm very director oriented.

Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.

I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the whole thing was really enjoyable.

We all have our limitations.

A very, very impressive director, Tomas Alfredson. It's only his second film [ 'Tinker Tailor Soldier Spy'], but he's a real find.

Some directors involve waiting, and if you want to work with that particular director you're going to have to hang around.

I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.