You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.

Whenever something is convenient or was modified after 1970, you probably shouldn't use it as root.

Talk to them about things they don't know. Try to give them an inferiority complex. If the actress is beautiful, screw her. If she isn't, present her with a valuable painting she will not understand. If they insist on being boring, kick their asses or twist their noses. And that's about all there is to it.

I am more lost in wonder than ever.

You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.

Critics have never been able to discover a unifying theme in my films. For thatmatter, neither have I.

I don't try to guess what a million people will like. It's hard enough to know what I like.