[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.

I can talk about film theory forever and it may sound pretentious or something, but really it's just that I'm fascinated by it.

Most of my training I do in between movies, and even if I wasn't an actor I'd be doing it. I started studying martial arts when I was 14, and it's something I still do just to keep sane and feel good about myself.

I really only became an editor, or started doing my own editing because I was filming the docs and you simply can't keep an editor on for as long as it takes so.

[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.

I never really had any intention of getting involved in documentaries until the opportunity came around. I always thought much more in classic fiction cinema terms and I think I tried to apply those ideas to documentaries and not vice versa.

There is nothing wrong with saving the world, but it's a little boring.