I always know more about the ending, even the aftermath to the ending, than I know about the beginning. And so there's a construction that works from back to front.

She sat keenly white and still among them, a witness to everything--maybe determining nothing, possibly judging it all.

Life forces enough final decisions on us. We should have the sense to avoid as many of the unnecessary ones as we can.

Grown-ups shouldn’t finish books they’re not enjoying. When you’re no longer a child, and you no longer live at home, you don’t have to finish everything on your plate. One reward of leaving school is that you don’t have to finish books you don’t like.

The concept of writing a novel and not knowing where it's going - I don't know how to do that. Novels are plot- and character-driven, so if I don't know what becomes of people, how can I know where it should begin?

It is amazing to me, now, how such wild imaginings and philosophies - inspired by a night charged with frights and calamities - made such perfectly good sense to Owen Meany and me, but good friends are nothing to each other if they are not supportive.

If you are careful,' Garp wrote, 'if you use good ingredients, and you don't take any shortcuts, then you can usually cook something very good. Sometimes it is the only worthwhile product you can salvage from a day; what you make to eat. With writing, I find, you can have all the right ingredients, give plenty of time and care, and still get nothing. Also true of love. Cooking, therefore, can keep a person who tries hard sane.