Ted Seabrooke, my wrestling coach, had a kind of Nietzschean effect on me in terms of not just his estimation of my limited abilities, but his decidedly philosophical stance about how to conduct your life, what you should do to compensate for your limitations. This was essential to me, both as a student - and not a good one - and as a wrestler who was not a natural athlete but who had found something he loved.

I have learned that the consequences of our past actions are always interesting; I have learned to view the present with a forward-looking eye.

More than a half, maybe as much as two-thirds of my life as a writer is rewriting. I wouldn't say I have a talent that's special. It strikes me that I have an unusual kind of stamina.

In the world according to Garp, we are all terminal cases

Imagining something is better than remembering something.

I'm not typing. I write only by longhand. I've always written first drafts by hand and then once I was into a second or third draft I wrote insert pages on a typewriter. But I got rid of all my typewriters about three or four novels ago and now I do everything by hand. I write by hand because it makes me go slow and going slow is what I like.

Nearly everything seems a letdown after a writer has finished writing something.