All men are liars, said Roberta Muldoon, who knew this was true because she had once been a man.

So, I don't work in terms of real time. I don't work in a timely fashion.

The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.

I had been a student in Vienna, and one of the neat little things I had found out was about that zoo. It was a good debut novel for me to have published. I was 26 or 27 when it was published. I already had a kid and would soon have a second.

The concept of writing a novel and not knowing where it's going - I don't know how to do that. Novels are plot- and character-driven, so if I don't know what becomes of people, how can I know where it should begin?

No one could have fathomed what a life he'd led, for it was chiefly a life lived in his mind.

I think that was when the headmaster realized he had lost; he realized then that he was finished. Because, what could he do? Was he going to tell us to stop praying? We kept our heads bowed; and we kept praying. Even as awkward as he was, the Rev. Mr. Merrill had made it clear to us that there was no end to praying for Owen Meany.