Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
John KeltonicI do have a website that's updated regularly. It's a great way for potential clients to check out my work anonymously. As most of my web visitors would be interested in my work, not my history, the equipment I use, my "philosophy", etc., it's my work that's predominantly featured on the site.
John KeltonicDo everything you can to learn your craft. Score student films for free, attend conferences, learn music theory - do anything and everything you can.
John KeltonicOther than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.
John Keltonic