That was okay [ working with George Clooney]. One of these days I'll work with a good director.

The idea of family is really one of the only things we can all say we have and we can't run away from. Whether you like your family or not. Whether it's complicated or not, there's something - call it spiritual, call it existential, whatever - that's in you.

I think there's a part of us that would like to use the fact that we're married, but you don't want the idea that we're married to overshadow the project itself.We're just looking for something that's so specific and good that it becomes a part of the story of why we did it rather than when we go to do press it's, 'Oh, my God, you're married and that's the only thing we want to talk about.' If we can merge both, that could be great.

I have people printing that I have. Never been engaged. As far as what I think of marriage, I think it's great. I think I'd like to be married some day, but I'll start with love.

It's not about celebrity or not. It's all about, do you have that 'girl in a cardigan' in you. You gotta have that.

The first time I ever cried in a movie was in Dead Poet's Society.

I love this script [The Hollars] because I'm lucky enough to come from a really tightknit family.