The only reason I acted in school was because of the community. I was in the chorus of every play and was never the lead other than one time, but to me it was about the community. I was an English major and my whole goal was to be an English teacher and was lucky enough to get into the playwriting group. The whole experience I had at Brown was eye opening and the most mind-bending experience.

As far as Ken Kwapis saying all those things, I think he just really wanted me in the movie so he probably told Warner Brothers, 'Don't worry, Jimmy Stewart? Gary Cooper? Who else do you like?' If they'd said they were huge Chris Farley fans, he's like, 'He can do that, too. He's a huge physical comedian.' But no, that's really nice to hear.

I'm a sap, I'll cry at anything. But I don't cry when I feel manipulated, or when there's a music cue telling me to.

I am in that everything [ David Foster Wallace] writes is pretty much the best stuff I've read, so that makes me a fan I guess.

I fell in love with the book [ Brief Interviews with Hideous Men] and always wanted to do something with and fought to get the rights, which was pretty fun and an incredible experience in itself.

To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.

[The Office] is incredible. It's slightly overwhelming because you don't think that anything you do....having anybody enjoy what you do is such a treat and so I know I've said this a hundred times but we owe it all to our writers.