Truly, when I say the show has given me everything, it's given me everything.

Being [in] a show that you get to say good-bye instead of being asked to leave is a real honor.

I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

I'm sure there's pieces of me in all the characters I play.

It's a big thing to feel like you're doing something that's actually affecting people.

We actually try our best to be non-biased, but for me, that was the best movie ["Sicario"], filmmaking-wise and storytelling-wise, and connected to me the most. I thought it was great.

To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.