I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

I don't think I ever had any relationship with any showrunner, over time, with whom I didn't have conflict.

It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.

I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

It is the pure arrogance of the newly rich and the newly powerful to think content is easy.

I think the possibility of continuing on a comedy is greater than a drama.

The amount of competition is just literally insane.