The only thing I haven't done as an actor, other than Thai puppet theater somewhere, is act on a Broadway stage.

I don't celebrate birthdays much, except for decade-wise. It's not a really big thing.

It's amazing being a member of perhaps the last analog generation - being born in the late '40s, growing up in the '50s and '60s, when it was still a very analog world. And in New Orleans those days, the country was just next door, as it were. You didn't have to travel miles and miles to get out in the woods. There's tons of fishing, obviously, in New Orleans, and tons of hunting. That was part of the cycle of life, to get fresh meat from the butcher or go duck hunting and get it yourself. It wasn't malicious or insensitive. It was just there, and you used it.

I'd like to be doing quality acting in a quality role and making as many people as possible happy.

When actors get pigeonholed, that's their own doing to a large degree. Because if you do something that people like, obviously they're going to ask you to do it again. It's up to you to say no. If you're that insecure about working, you'll probably do what you're known to do.

I guess we all have some sort of Rubicon that we haven't crossed in our lives and we've thought about for who knows how long. And for me, it's writing.

I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.