This is what I always tell my filmmakers-you have to do tons of research, because you don't know where the inspiration is going come from.

Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'

You can achieve all the things you want to do, but it's much better to do it with loved ones around you; family and friends, people that you care about that can help you on the way and can celebrate you, and you can enjoy the journey.

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.

I've always loved animation it's the reason why I do what I do for a living - the films of Walt Disney. This art form is so spectacular and beautiful. And I never quite understood the feeling amongst animation studios that audiences today only wanted to see computer animation. It's never about the medium that a film is made in, it's about the story. It's about how good the movie is.

People who get into animation tend to be kids. We don't have to grow up. But also, animators are great observers, and there's this childlike wonder and interest in the world, the observation of little things that happen in life.

I worry about kids today not having time to build a tree house or ride a bike or go fishing. I worry that life is getting faster and faster.