At Pixar, after every movie we have postmortum meetings where we discuss what worked and what didn't work.

Toys are put on this Earth to be played with by a child.

I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.

I always felt a little bit like a little kid that's never grown up in the world of adults.

Every technology that comes into filmmaking is first a gimmick. Think about sound with 'The Jazz Singer' or the first colour or surround sound - it takes a while for filmmakers to understand how to use it.

Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'

The closer you get to reality, the harder it is to make it look convincing to the audience. That's why I tend to make things [films] that are a little bit more caricature.