I don't know whether it's age or maturity, but I certainly find myself committed more and more to the looser forms of Western democracy at any price.

Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.

It was man who ended the Cold War in case you didn't notice. It wasn't weaponry, or technology, or armies or campaigns. It was just man. Not even Western man either, as it happened, but our sworn enemy in the East, who went into the streets, faced the bullets and the batons and said: we've had enough. It was their emperor, not ours, who had the nerve to mount the rostrum and declare he had no clothes. And the ideologies trailed after these impossible events like condemned prisoners, as ideologies do when they've had their day.

The things that are done in the name of the shareholder are, to me, as terrifying as the things that are done - dare I say it - in the name of God.

The cold war provided the perfect excuse for Western governments to plunder and exploit the Third World in the name of freedom; to rig its elections, bribe its politicians, appoint its tyrants and, by every sophisticated means of persuasion and interference, stunt the emergence of young democracies in the name of democracy.

The one thing you can bet is that spying is never over. Spying is like the wiring in this building: It's just a question of who takes it over and switches on the lights. It will go on and on and on.

The monsters of our childhood do not fade away, neither are they ever wholly monstrous. But neither, in my experience, do we ever reach a plane of detachment regarding our parents, however wise and old we may become. To pretend otherwise is to cheat.