You can't really walk anywhere. Where are you going to go? Everything closes at a certain hour and it's a highway with bars on it; that's what it is.

The message is one of the beautiful things about the film. And I think part of the appeal is simply that they are prehistoric creatures, they are no longer around and that makes them magical and makes us feel quite emotional, because we know that those creatures did not survive in the long run, so there's poignancy in their fight for survival.

Most of the great directors I've worked with - De Palma, Spike Lee - like rehearsals.

I love theater. I think theater, when its done right, is the best, like a religious experience. When it is done badly, it's the worst thing. It's just an incredible experience.

I love his [Brad Furman] ferocious desire for perfection and his love of vitality, it feeds me, man. It feeds him and it feeds the whole crew. And he's got huge respect for talent. And that's why talent goes in and gives it 300% percent.

I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.

In Moulin Rouge I could not change the name of Toulouse-Lautrec obviously to Toulouse-Lautrec- Martinez. But in ER I did that, my name is Dr Victor Clemente, so sometimes it is possible.